“Opening the accordion of your book you look out to sea—the sand shifts, slides, silts, stretches behind among dun dune flanks, drifts, banks, fleshing the beach, creates a seascrape, placates the waves that break, wet mouthed, in a language that cannot be deciphered, held together by inky blots of bluebottle jellyfish, demarcating the shore line, making a bed for mangroves, sand tickles through your hands, the egg timer’s trickle of instant infiltrating towels, toes, feet, sheets, carpet, mat, crotches, watches, bikinis and togs. Sand cannot build a house for the Lord, thank heavens, or castles, but it can stand for oases, deserts, burnt-out campsites, caravans. Sand grows shellfish and succulents such as aloe that heal. Kuaka camouflage with it. The colour of summer haze sand sounds of caesuras, fills the distance between cloudy dreams and the open seas, clogs the vacuum cleaner. A few grains may wreck the computer too, sabotage a camera, grind the house paint into traces, make stucco and glass, grow pīngao. Sand is for drawing a fine line on. A brimming horizon where Hine-ahu-one makes her plans, absorbs the seasurge, Tāne’s inseminations, births earth.”